
Esther Dariet Casanova is a Dominican artist and fashion professional moving fluidly between fashion design, styling, wardrobe, and visual research. Born in La Romana in 1994, earned her Associates degree in Fine Arts and illustration on 2015 from La Escuela de Diseño Altos de Chavón, and received one for Fashion Design the next year. May 2016 she wins the IED Barcelona, “Creactívate” international scholarship contest, where she studies for a year before returning to her country.
Taking the process of creation itself as the core of her work—understood as both a conceptual tool and a practical language for questioning systems of value, power, and representation—Casanova’s approach centers on transformation: deconstructing garments, images, and roles to assign them multiple functions and meanings. Through this process of rearrangement, her work interrogates social constructs, dysfunctions, and hierarchies, while simultaneously celebrating craft, movement, and expression at their highest level.
Alongside her artistic practice, she has built an extensive professional career in international fashion styling and wardrobe for music, live performance, advertising, and audiovisual productions. Her work spans editorial projects, large-scale concerts, a global tour, award ceremonies, and commercial campaigns. She regularly collaborates with artists, designers, production teams, and institutions across the Americas.
In 2017, she co-founded ETOLA, an independent fashion label that functions as both a design studio and a conceptual laboratory, allowing her to merge garment creation with research, storytelling, and visual identity. This dual practice—artistic and applied—continues to shape her perspective, situating fashion as a critical and expressive medium rather.
Her work is informed by cross-cultural experience, sustained international collaboration, and a constant dialogue between theory and practice.
Don KBRN
World Tour
2025-2026
Wardrobe
USA
Charlotte NCWashington DC
Philadelphia PA
Bridgeport CT
Boston MA
New York NY
Chicago IL
Atlanta GA
Orlando FL
Miami FL
Houston TX
Dallas TX
Irving TX
Denver CO
San Jose CA
San Diego CA
Los Angeles CA
LATAM
Guatemala City Guatemala
San Jose Costa Rica
Panama City Panama
Bogota Colombia
Cali Colombia
Medellin Colombia
Quito Ecuador
Guayaquil Ecuador
Lima Peru
Santiago Chile
Buenos Aires Argentina
ESPAÑA
GranadaZaragoza
Valencia
Bilbao
Málaga
Barcelona
Madrid
Coruña
Tenerife
Styling
Artists
ELADIO CARRIÓN

Tiny Desk 2025
Washington D.C.
assistance
JAI FACHON
ETOLA
COLLECTION BY: DARIET CAZANOVA
& PAOLA SEGURA
REPÚBLICA DOMINICANA ES AFRICANA, ES TAÍNA, ES ADAPTABLE, CÁLIDA, COLORIDA, Y A TRAVÉS DE SU MEZCLA PARTICULAR; INDEPENDIENTE. ESTO DEFINE LA COLECCIÓN JAI FACHON; UNA EXPLORACIÓN SARTORIAL DE LA IDENTIDAD DOMINICANA, COMBINANDO ASPECTOS DE LOS POLOS OPUESTOS DE LA JERARQUÍA CULTURAL; DONDE CIERTOS GRUPOS, UNO QUE NUNCA MIGRÓ, Y OTRO QUE FUE TRAÍDO POR LAS FUERZAS, SIEMPRE SON PUESTOS EN EL POLO NEGATIVO DE LA ESTÉTICA. SE TRATA DE CELEBRAR Y EMPODERAR LO AUTÓCTONO CON UNA DESCRIPCIÓN ECUÁNIME A TRAVÉS DE ICONOGRAFÍA, DIALECTO, Y SIMBOLISMO.


LABEL OFFICIAL GARMENT
MADE IN SPAIN
70% VISCOSE RAYON 30% POLYESTER
100% COTTON (POCKETS)
THIS GARMENT WAS MADE BY A HUMAN BEING WITH THE AID OF MACHINES AND IS WARRANTED TO MEET OR EXCEED THE STANDARDS OF MAKING A GARMENT. ENDING IS BETTER THAN MENDING, ENDING IS BETTER THAN MENDING, ENDING IS BETTER THAN MENDING, THE MORE STITCHES, THE LESS RICHES, THE MORE STITCHES, THE LESS RICHES, THE MORE STITCHES, THE LESS RICHES. CLUTTER IS AN A/W 19 COLLECTION (CONCEIVED IN 2017) OF VERSATILE GARMENTS THAT MAKE A WIDER RANGE OF POSSIBILITIES. THIS PROJECT FOCUSES ON THE ISSUES ENGAGING IN THE CONSUMER CENTERED WORLD WE LIVE, TAKING REFERENCE FROM THE COMPULSIVE HOARDING DISORDER AND ARTISTS WHOSE SUBJECT FOCUSES ON TODAY’S WASHED MINDED SOCIETY OR THE CONDITIONS IN WHICH ART IS MADE. MY WORK IS CONSISTENT IN HIGHLIGHTING MY PROCESS-ORIENTED METHOD, I BELIEVE THAT IN ORDER TO TRANSMIT MY IDEA I NEED TO NOT ONLY GUIDE THE WORK TO A MAIN THREAD, BUT DEVELOP THE MEANING IN THE WORK AS IT PROGRESSES. HOARDING REFERENCES AND IDEAS, LEANING TO LARGER AMBIGUITY AND AT THE SAME TIME A MORE WELL ROUNDED CONSISTENCY.


