JAI FACHON
ETOLA
COLLECTION BY: DARIET CAZANOVA
& PAOLA SEGURA
REPÚBLICA DOMINICANA ES AFRICANA, ES TAÍNA, ES ADAPTABLE, CÁLIDA, COLORIDA, Y A TRAVÉS DE SU MEZCLA PARTICULAR; INDEPENDIENTE. ESTO DEFINE LA COLECCIÓN JAI FACHON; UNA EXPLORACIÓN SARTORIAL DE LA IDENTIDAD DOMINICANA, COMBINANDO ASPECTOS DE LOS POLOS OPUESTOS DE LA JERARQUÍA CULTURAL; DONDE CIERTOS GRUPOS, UNO QUE NUNCA MIGRÓ, Y OTRO QUE FUE TRAÍDO POR LAS FUERZAS, SIEMPRE SON PUESTOS EN EL POLO NEGATIVO DE LA ESTÉTICA. SE TRATA DE CELEBRAR Y EMPODERAR LO AUTÓCTONO CON UNA DESCRIPCIÓN ECUÁNIME A TRAVÉS DE ICONOGRAFÍA, DIALECTO, Y SIMBOLISMO.
LABEL OFFICIAL GARMENT
MADE IN SPAIN
70% VISCOSE RAYON 30% POLYESTER
100% COTTON (POCKETS)
THIS GARMENT WAS MADE BY A HUMAN BEING WITH THE AID OF MACHINES AND IS WARRANTED TO MEET OR EXCEED THE STANDARDS OF MAKING A GARMENT. ENDING IS BETTER THAN MENDING, ENDING IS BETTER THAN MENDING, ENDING IS BETTER THAN MENDING, THE MORE STITCHES, THE LESS RICHES, THE MORE STITCHES, THE LESS RICHES, THE MORE STITCHES, THE LESS RICHES. CLUTTER IS AN A/W 19 COLLECTION (CONCEIVED IN 2017) OF VERSATILE GARMENTS THAT MAKE A WIDER RANGE OF POSSIBILITIES. THIS PROJECT FOCUSES ON THE ISSUES ENGAGING IN THE CONSUMER CENTERED WORLD WE LIVE, TAKING REFERENCE FROM THE COMPULSIVE HOARDING DISORDER AND ARTISTS WHOSE SUBJECT FOCUSES ON TODAY’S WASHED MINDED SOCIETY OR THE CONDITIONS IN WHICH ART IS MADE. MY WORK IS CONSISTENT IN HIGHLIGHTING MY PROCESS-ORIENTED METHOD, I BELIEVE THAT IN ORDER TO TRANSMIT MY IDEA I NEED TO NOT ONLY GUIDE THE WORK TO A MAIN THREAD, BUT DEVELOP THE MEANING IN THE WORK AS IT PROGRESSES. HOARDING REFERENCES AND IDEAS, LEANING TO LARGER AMBIGUITY AND AT THE SAME TIME A MORE WELL ROUNDED CONSISTENCY.